Wrony / The Crows. 1994. FULL-HD.

PL. Film Doroty Kędzierzawskiej traktuje przede wszystkim o potrzebie miłości. Bohaterkami są dwie fascynujące, małe dziewczynki. Kędzierzawska często pracująca z dziećmi tak o tym mówi: "Myślę, że trudniej porozumiewać się z dorosłymi, którzy udają, zakładają maski. Dziecko jest szczere: jeśli jest złe to krzyczy, płacze i tupie nogami, jeśli jest głodne - mówi, że chce jeść. Dorośli nie są tak otwarci." "Wrony" to opowieść o samotnej dziewczynce, która pozbawiona czułości matki, porywając inną, młodszą od siebie dziewczynkę wchodzi w rolę matki, tak jak sobie tę rolę wyobraża. Wielkością filmu nie jest postawienie diagnozy społecznej. Problem społeczno-psychologiczny opowiedziany został w innej, z pozoru obcej diagnozom socjologicznym poetyce. Bohaterka filmu porusza się w niezwykłej, poetycznej przestrzeni miasta i w obszarze nieograniczonego obszaru morza. Wolność małej pozwala jej w "magiczny" sposób anektować każdą przestrzeń. Porywając inną małą "wronę", z resztą za jej przyzwoleniem, przeżywają jednodniową przygodę. Kiedyś M. Tournier, wielki wielbiciel dzieci, utrzymywał, że dziecko w sposób naturalny odwraca się od rodziców, kierując się ku podbojom świata zewnętrznego. Reżyserka sytuuje obie bohaterki zarówno w krajobrazie Kultury (miasto), jak i Natury (plaża i morze); z tym, że niezwykłe dzieci, wolne i niebezpieczne dla dorosłych zdecydowanie lepiej egzystują w świecie Natury. Ten typ myślenia jest jedną z uniwersalnych figur wyobraźni naszego widzenia dzieci. Bez wątpienia Dorota Kędzierzawska, tak jak L. Carroll uwielbia dzieci "z wyjątkiem małych chłopców." nagrody:Nagroda Specjalna Jury na FPFF Gdynia 1994; nagroda główna za zdjęcia na MFF "Camerimage" Toruń 1994
EN. Crows (Polish: Wrony) is a 1994 Polish drama film directed by Dorota Kędzierzawska. The film was selected as the Polish entry for the Best Foreign Language Film at the 68th Academy Awards, but was not accepted as a nominee.
A thin child of about 10, nicknamed "Crow" because she mimics the bird, has no friends and rejects a teacher's hug. At home, she is left on her own, her mom locks her out while entertaining a lover or is asleep. One morning, Crow sees a chubby, cherubic child hugged by both parents as the father leaves for work. When the toddler is left alone, Crow lifts her through the fence and kidnaps her. That day, Crow tries to mother the child, alternately playing with and scolding her, taking her to the beach, leaving shore in a boat, pushing her into the sea in a pique, and eventually carrying the sleeping child back home. Crow returns to her own mother and asks for affection.
Director: Dorota Kędzierzawska.
Cast: Karolina Ostrożna, Katarzyna Szczepanik, Małgorzata Hajewska-Krzysztofik, Anna Prucnal, Krzysztof Grabarczyk, Agnieszka Pilaszewska, Antoni Majak, Paul Verkade, Marek Bukowski, Katarzyna Gajewska, Ewa Bukowska, Bartłomiej Topa.
Poland, 1994.
Language: Polish.
Subtitles: English.
1920x1080 FULL-HD
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Nattlek / Night Games. 1966. FULL-HD.

Night Games (Swedish: Nattlek) is a 1966 Swedish movie directed by Mai Zetterling and starring Ingrid Thulin. The film premiered at the 27th Venice International Film Festival where it was considered so controversial that it was shown to the jury in private. The film was also the cause of former child-star Shirley Temple's resignation from the San Francisco International Film Festival. Temple denounced the film as “pоrnоgrаphy for profit” and was against it being shown at the festival.
Jan returns with his fiancеe to his childhood home. While there he flashes back to his childhood, twenty years before when he lived an unfettered life watched over by a strange great-aunt and a hedonistic and often neglectful mother and father. In particular he remembers watching his mother give birth to a stillborn child after refusing to go to the hospital in the middle of a party and his sexual obsession with his mother which included being caught by her while he was masturbating while listening to her read a bedtime story. In the present, his relationship with his fiancée grows more strained as his past begins to affect the way he acts in the present.
Director: Mai Zetterling.
Cast: Ingrid Thulin, Keve Hjelm, Jörgen Lindström, Lena Brundin, Naima Wifstrand, Monica Zetterlund, Lauritz Falk, Rune Lindström, Christian Bratt, Lissi Alandh, Monique Ernstdotter, Ragnar Arvedson.
Sweden, 1966.
Language: Swedish, Russian.
Subtitles: English, Russian.
1920x1080 FULL-HD
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Viva Cuba! 2005. HD.

 Viva Cuba is a 2005 Cuban film, directed by Juan Carlos Cremata and Iraida Malberti Cabrera, and written by Cremata and Manolito Rodriguez. It was the first Cuban film to be awarded the ‘Grand Prix Écrans Juniors’ for children's cinema at the 2005 Cannes Film Festival.
In Viva Cuba, a road movie fairy tale,[2] Cremata tackles localized Cuban problems from the literal point of view of the country's children. He lowers the camera to the eye level of the film's protagonists, Malú (Malú Tarrau Broche) and Jorgito (Jorgito Miló Ávila).
 In a tale akin to Romeo and Juliet, the friendship between two children is threatened by their parents' differences. Malu is from an upper-class family and her single mother does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito's mother is a poor socialist that is proud of her family's social standing. She places similar restriction on her son. What neither woman recognizes is the immense strength of the bond between Malu and Jorgito. When the children learn that Malu's mother is planning to leave Cuba, they decide to travel to the other side of the island to find Malu's father and persuade him against signing the forms that would allow it.
Directors: Juan Carlos Cremata Malberti, Iraida Malberti Cabrera.
Cast: Malú Tarrau Broche, Jorge Milo, Luisa María Jiménez Rodríquez, Larisa Vega Alamar, Lieter Ledesma Alberto, Sara Cabrera, Pavel García Valdés, Albertico Pujols Acosta, Juan Carlos Cremata Malberti.
Cuba, France, 2005.
Language: Spanish.
Subtitles: English.
1280x720 HD
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Viva Cuba! 2005. HD.

Viva Cuba! 2005. HD.